214 Royalty-Free Audio Tracks for "Chord Progression"

A rhythmically vocoded synth chord progression.

C chord progression in 7/4 time at 150 bpm.

Altered major chord on B with diminished seventh (B, D♯, F♯, A♭), equivalent to a minor-minor seventh chord on G♯ (G♯, B, D♯, F♯) Alterierter Akkord mit verminderter Sept Esperanto: Ekzemplo por malsupren aliigita septo

Dark 2 chord progression, dense strings.

Synth processed experimental drone ambient atmosphere.

Chord progression (half note open guitar chords) for the widely recorded ragtime influenced song written in 1923 by Jimmy Cox, "Nobody Knows You When You're Down and Out". It features chromaticism through chains of secondary dominants (III = V/V/V/V = V/vi, VI = V/V/V = V/ii, II = V/V, and V) and a secondary diminished seventh chord (viio7/V=♯IVo7).

A chord progression illustrating "Tonalität", rather than the strictly diatonic "Tonart".

Sixteen-bar progression - repeating variety: third section's first half repeated twice.

Message me if you use this.

A chord progression played on electric guitar. Recorded direct through mixer > computer > energyxt.

Acdc style chord riff progression type? 105bpm.

A classic chord progression blues recorded with zoom h4.

Jazz standard bridge, ragtime progression: E7-A7-D7-G7, III7-VI7-II7-V7, or V7/V/V/V - V7/V/V - V7/V - V7 [or V7/vi - V7/ii - V7/V - V7]. MIDI file Progression d'accords : Pont Jazz standard. La progression de ragtime (E7-A7-D7-G7) apparaît souvent dans les ponts des standards de jazz. Fichier midi.

Chord progression recorded with korg m399 bpmkey of em.

Choir chords made in fl studio sytrus. Chord progression is a minor, f, c, g.

A slow chord progression played on electric guitar processed through a granulizer.

Chord progression.

Repetitive melody of piano chord progression laid over organ chorus through audacity.

Repetitive melody of piano chord progression laid over organ chorus through audacity.

This is a mellow chord progression played on acoustic guitar. Rode nt1-a > mixer > reaper.

V of V chord progression in "Sweet Georgia Brown". V/V/V-V/V-V-I: A-D-G-C. Note that the tempo is kept but the number of measures is cut in half.

Piano chord progression laid over organ chorus through audacity.

A 130 bpm loop using synths i made in vital. The chord progression is i-iv-vii-v.

Free use.

An organ chord progression with some background white noise.

120 bpm midi synth chords in e-minor, 8 measures and loop-able.

Wistful and romantic repetitive melody of piano chord progression laid over organ chorus through audacity.

viio6 as a substitute for V43 chord in Beethoven Piano Sonata in C major, Op. 2, No. 3, fourth movement.

Typical boogie woogie bassline on 8 bar blues progression in C, chord roots in red.

It's a short e. Organ loop i made. Nothing all that interesting. The chord progression is:fmaj7 bm7b5 em7 a7 dm7 g7 cmaj7 gm7b5.

Dominant seventh in Beethoven's Fifth Symphony, last movement.

Slow and soft repeating chord progression. Piano lead laid over organ chorus. Ideal for reflective interlude.

This is an improvised boogie-woogie blues chord progression, with both hands playing the rhythm, and another hand playing the unusual chords.

The most common or standard 12-bar blues progressions variations, in C.(Benward & Saker 2003, 186). Created by Hyacinth (talk) 05:08, 14 July 2011 (UTC) using Sibelius 5.

The most common or standard 12-bar blues progressions variations, in C.(Benward & Saker 2003, 186). Created by Hyacinth (talk) 06:08, 14 July 2011 (UTC) using Sibelius 5.

The most common or standard 12-bar blues progressions variations, in C.(Benward & Saker 2003, 186). Created by Hyacinth (talk) 06:08, 14 July 2011 (UTC) using Sibelius 5.

The most common or standard 12-bar blues progressions variations, in C.(Benward & Saker 2003, 186). Created by Hyacinth (talk) 06:08, 14 July 2011 (UTC) using Sibelius 5.

A metallic percussion loop over a chord progression in c major on piano. Perfect for your blue man group cosplay!.

This is a so called "epic" chord progression (amcfg) played rhythmically by the string section of an orchestra: basses, cellos and violins.

1st chord progression made with multisamples saw wave sampled from arturia minibrute loaded into a kontakt2nd one made with single waveform from the same samples loaded into serumjust for analyse the difference between the two signal. Donate: paypal. Me/rvone.

A dark minor chord progression made with a vintage synth plugin on fl studio.

Power chords in progression create parallel fifths, though the prohibit is not relevant since there is not intention to create independent voices. Created by Hyacinth (talk) 03:21, 29 January 2012 (UTC) using Sibelius 5.

This is the 3rd of a set of electronic snippets inspired by my recent database course. This is the only piece that does not loop. Created in garageband.

Simple punk power chord progression, fun to play you can't go wrong with a little 0 3 5 now and then.

A chord progression in c minor made on lmms, played on bells put through phasing and delay. If you make music using this, please leave a link under this post.

V43 for comparison with viio6 as a substitute for V43 in Beethoven Piano Sonata in C major, Op. 2, No. 3, fourth movement.

Part of the beta loopset, a set of complementary synth loops. It is:. * in the key of g mixolydian, following the chord progression g7sus4 fsus2. * four bars long at 110bpm. * normalized.

Jazz solo improvisation performance on 'rhythm changes' harmony / chord progression. Recorded with zoom-h6. Instruments in the recording: trumpet, drums, double bass, electric guitar.

Jazz solo improvisation performance on 'rhythm changes' harmony / chord progression. Recorded with zoom-h6. Instruments in the recording: tenor saxophone, drums, double bass, electric guitar.

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).